The best of both worlds

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The Flaming Lips’ Wayne Coyne with guest conductor Andre de Ridder at a 2016 performance at Red Rocks. Photo by Brandon Marshall

The Flaming Lips to play ‘The Soft Bulletin’ with Colorado Symphony, again

In 1969, thousands of people crammed into the Royal Albert Hall in London to watch Deep Purple perform their Concerto for Group and Orchestra with the Royal Philharmonic Orchestra. The band’s long hair and unbuttoned shirts were juxtaposed with the tux-wearing and neatly groomed orchestra players. The concerto begins almost as a battle of the bands, the orchestra pitted against Deep Purple, competing for preeminence of the musical realms. By the end, the two integrate seamlessly, unified in both sound and performance.

The crowd was likewise bifurcated. Some observers sat still in their seats, heads maybe cocked to one side or the other, a few lit cigarettes dotted the crowd. Others, however, were on their feet dancing, headbanging to the combination of electric guitars and cellos, synthesizers and horns, a classic rock drum kit and orchestral percussion. At the end, the entire audience gave a standing ovation, clapping, cheering and waving British flags as Jon Lord of Deep Purple stood to shake conductor Malcom Arnold’s hand, a formality not often seen at rock concerts.

It’s the performance credited with starting the trend of classical orchestras collaborating with contemporary rock bands — from Roger Waters playing with the The Military Orchestra of the Soviet Army on The Wall — Live in Berlin to Arcade Fire jamming with the Manchester Orchestra at Summerfest and everything in between. It’s the genesis of uniting seemingly disparate groups, audiences and musicians alike, an effort to bring new audiences into the symphony, to preserve and appreciate a classical art form while remaining relevant.

“All orchestras really, all around the world, have been quite smart about this idea that if you get a new, younger audience in there, and have their minds blown by this sound, and it’s really mind-blowing, it’s a great experience,” says Wayne Coyne, frontman of The Flaming Lips, who are set to revisit their 2016 Red Rocks performance of The Soft Bulletin with the Colorado Symphony Feb. 22 at the Boettcher Concert Hall in celebration of the album’s 20th anniversary. It’s “us playing to a slightly different audience, playing something in a slightly different atmosphere, but also bringing something different to the symphony.”

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